Works
As a composer, Clayton has scored the films Ragman’s Daughter, The Pied Piper, The 14, Brother Sun, Sister Moon, The Savage Hunt, and the final Morecambe and Wise project, Night Train To Murder. Clayton's stage credits include the scores for Bertie (with Mike Margolis), Oedipus, Ring Your Mother, Box, and The Mistress (with Bruce Montague). Clayton's theatre credits as musical director and arranger include The Sound of Music and Someone Like You (both with Petula Clark), No Strings, Privates On Parade, Billy, Song & Dance, and Nightingale.
Clayton has composed, scored and recorded incidental music for spoken word albums including such titles as The Secret Garden (read by Glenda Jackson), A Journey to the Center of the Earth (read by Tom Baker), Puckoon (read by Spike Milligan), and Black Beauty (read by Angela Rippon). For Peter O'Toole, he composed incidental music to accompany his readings of Shakespearean ballads and sonnets.
In television, Clayton has worked as a musical director and accompanist on several series and specials, including Shirley Bassey and Count Basie's Something Special (for NBC), Petula Clark's Traces Of Love (for ATV), The Vocal Touch - Anita Harris (for BBC2), and the original series Company & CO (for BBC2), Coming Next (for Channel 4), and Lilly Live (for LWT).
The Royal Philharmonic Orchestra commissioned him to write the nine-minute tone poem, Il Palio Di Siena.
Clayton's most recent CD, Kenny Clayton Plays Tribute To Petula Clark & Matt Monro, was released on November 21, 2005. The Kenny Clayton Trio has released two albums of songs associated with Frank Sinatra, Nice 'n Easy and All The Way.
He now divides his time between London and Menorca. In 2011 he has played on serval occasions at the Alley Cat venue in Denmark Street London with long-time friend, crooner Paul Ryan.
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Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
—Herman Melville (1819–1891)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)