Plot
Kenny is a mockumentary that follows the fictional Kenny through his daily life. His work and his personal relationships are explored as Kenny goes about his day to day activities and speaks directly to the camera and his audience. Kenny provides a most basic service to the community: portable toilets. The audience sees Kenny interviewing potential clients and involved in major public events. It is important to Kenny to know the kind of food and drink to be served at these events as this will determine the level of service he provides. Never ashamed of his job, Kenny regards himself as a professional. Even at the most prestigious events for which he caters, Kenny realises that the most glamorous will need his portable toilets. He sees life in all of its complexities through the need of his services. When Kenny travels to Nashville to attend a toilet convention, he is thrilled to travel outside his native Melbourne. His ingenuousness and commitment to his profession opens business opportunities in Japan and the potential for a new relationship. Kenny declines the opportunity to become an executive and is ambivalent about the new relationship, until she shows herself to be sincerely interested in Kenny, for himself.
Read more about this topic: Kenny (2006 Film)
Famous quotes containing the word plot:
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)