Groups and Collaborations
In the mid-1990s, Vandermark was known, in part, for his many collaborations with other musicians. Some groups were ad hoc settings, while others were more stable. He worked not only in jazz, but free improvisation, noise, rock and roll of various stripes, and other settings. Due in part to wanting to focus more on his own compositions, Vandermark decided in about 2000 to limit his collaborations.
Vandermark's notable groups are outlined below:
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“If we can learn ... to look at the ways in which various groups appropriate and use the mass-produced art of our culture ... we may well begin to understand that although the ideological power of contemporary cultural forms is enormous, indeed sometimes even frightening, that power is not yet all-pervasive, totally vigilant, or complete.”
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