Works
In 1981, Knabb published the Situationist International Anthology, a large collection of articles drawn mostly from the French journal Internationale Situationniste. His other translations include Guy Debord's film scripts (Complete Cinematic Works), Debord's The Society of the Spectacle, and Ngo Van's In the Crossfire: Adventures of a Vietnamese Revolutionary. Knabb's own writings include leaflets, comics, pamphlets and articles on Wilhelm Reich, Georges Brassens, Gary Snyder, the 1960s hip counterculture, the 1970 Polish revolt, the 1979 Iranian revolution, the 1991 Gulf war, the 2006 anti-CPE revolt in France, and the 2011 Occupy movement. Longer works include The Relevance of Rexroth (a study of the anarchist poet and essayist Kenneth Rexroth), Gateway to the Vast Realms (a reader's guide to 500 recommended books), and The Joy of Revolution (an examination of the pros and cons of diverse radical tactics followed by some speculations on how a nonstate and noncapitalist postrevolutionary society might function).
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Famous quotes containing the word works:
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
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“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)