Career
Kemal Sunal graduated from Vefa Lisesi (Vefa High School). In his early ages, he started pursuing what was to become a long and successful acting career, in minor roles in theatres. For a brief period, he worked in the Kenterler Theatre and took part in his first play Zoraki Takip. He was later transferred to the Devekuşu Kabare Theatre, where he performed his acting.
He was recognized as a true talent, and started receiving offers with larger budgets and more famous casts. His first film was by Ertem Eğilmez. In a matter of years, Sunal co-starred with other actors from the old school, such as Halit Akçatepe, Şener Şen and Münir Özkul.
Perhaps the most famous of all his parts was when he played in the "hababam sinifi" and was known by the name of "Şaban" but most of his class mates just call him inek (cow) Şaban. The member of Hababam Sınıfı (The Outrageous Class), was a good laugh for many. İnek Şaban was constantly bullied and humiliated by his friends, but this never kept him from thinking the unthinkable, like digging a tunnel to escape school grounds (which later, turned out to lead to the vice-principal’s office) or smoking in the school attic. The character was so pure and so fixed in the memories of the Turkish people, it was never replaced by another actor in the recent re-shootings of Hababam Sinifi, most probably as a sign of respect to Sunal.
His other notable characters include: Tosun Pasha, a fake pasha; Süt Kardeş Şaban, a sailor; Çöpçüler Kralı, a foolish garbage man, who fell in love with a municipality officer’s fiancee; Doktor Civanım, a former hospital janitor pretending to be a doctor upon his return to his home village; and finally "Orta Direk Şaban", a naive man trying to become an athlete to impress his crush.
Apart from the hilariousness of his movies, one of the reasons that they were so popular were because they addressed many of the problems faced by the urban poor in Turkey during the 1970s and 1980s. In almost all of his films, Kemal Sunal plays a poor man, trying to make something of himself.
Sunal’s last film was Propaganda, which was directed by director Sinan Çetin. Sunal, played a customs officer-in-charge (presumably) on the Syrian border. Being a drama, this film was a contrast to his other works. As the plot unfolded, Sunal’s character fell into despair, trying to survive the dilemma between his duties as an officer of the law and his duties as a friend. In public opinion, this film was not the best of jubilees for the master. In fact, it had not been meant to be a jubilee at all. Another significant fact about this film is that it also included Ali Sunal, Kemal Sunal’s son, cast as a junior customs officer.
Read more about this topic: Kemal Sunal
Famous quotes containing the word career:
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (17621835)
“Never hug and kiss your children! Mother love may make your childrens infancy unhappy and prevent them from pursuing a career or getting married! Thats total hogwash, of course. But it shows on extreme example of what state-of-the-art scientific parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)