Singles Performance Timeline
Current till 2013 Australian Open.
| Tournament | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | W–L | Win % | |||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Grand Slam tournaments | ||||||||||||||
| Australian Open | A | A | 1R | A | 3R | QF | 4R | 9–4 | 69.23 | |||||
| French Open | A | Q2 | A | 2R | 2R | A | 2–2 | 50.00 | ||||||
| Wimbledon | A | 1R | A | 1R | 1R | 3R | 2–4 | 33.33 | ||||||
| US Open | Q2 | 4R | A | 3R | 1R | 3R | 7–4 | 63.64 | ||||||
| Win–Loss | 0–0 | 3–2 | 0–1 | 3–3 | 3–4 | 8–3 | 3–1 | 20–14 | 58.82 | |||||
| Olympic Games | ||||||||||||||
| Summer Olympics | NH | 1R | Not Held | QF | NH | 3–2 | 60.00 | |||||||
| ATP World Tour Masters 1000 | ||||||||||||||
| Indian Wells | A | 1R | 1R | A | 1R | 1R | 0–4 | 00.00 | ||||||
| Miami | A | 1R | A | A | 2R | 4R | 3–3 | 50.00 | ||||||
| Monte Carlo | A | A | A | A | A | 3R | 2–1 | 66.66 | ||||||
| Madrid | A | A | A | A | 1R | A | 0–1 | 00.00 | ||||||
| Rome | A | A | A | A | Q2 | A | 0–0 | 00.00 | ||||||
| Toronto/Montreal | LQ | A | A | A | A | 2R | 0–1 | 00.00 | ||||||
| Cincinnati | A | A | A | A | 1R | 3R | 2–2 | 50.00 | ||||||
| Shanghai | NM1000 | A | LQ | SF | 2R | 5–2 | 80.00 | |||||||
| Paris | A | A | A | A | 1R | 3R | 1–1 | 50.00 | ||||||
| Win–Loss | 0–0 | 0–2 | 0–1 | 0–0 | 6–6 | 8–6 | 0–0 | 13–15 | 44.45 | |||||
| Career Statistics | ||||||||||||||
| Titles–Runner-ups | 0–0 | 1–0 | 0–0 | 0–0 | 0–2 | 1–0 | 0–0 | 2–2 | 50.00 | |||||
| Year End Ranking | 286 | 63 | 418 | 98 | 25 | 19 | $1,921,151 | |||||||
Read more about this topic: Kei Nishikori
Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)