Composition
"Keeps Gettin' Better" is an electropop song, written in the key of F minor. The song has also been noted by The Times as an "electro-glam" number. Described as a "muscular, percussive arena-ready" track, the song has gathered comparisons to Goldfrapp's Supernature album and Britney Spears' song "Womanizer". An "instantly engaging" electropop beat begins the track; the track features "space-age sounds" in response to its futuristic concept, with a "throbbing" synth line. Aguilera's vocals in the track span from the note of F3 to the note of C5. Lyrically, themes of female empowerment and being a superhero are dominant on the track. Aguilera sings, "Some days I'm a super bitch". The lyrics actually derive from Aguilera's experience as a mother. While talking to MSN she said;
"After having my own child, it's pretty amazing what females are capable of, We're Supergirl, we do it all: we give the love, we give the milk. On the other hand, I'm running a business. I'm running my career. That comes with being labeled a bitch. If that's what I'm gonna be called by being assertive and knowing who I am and what I want out of life, then so be it. I will wear that label proudly. For me it's about turning that word into a positive."
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Famous quotes containing the word composition:
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)