Style
Hoshino has been highly praised for her art and character designs. Leroy Douresseaux of Coolstreak Cartoons called Hoshino a "wonderful visualist" and commented that her "highly stylish" art resembled the works of Joe Madureira, Kelley Jones, and Chris Bachalo. Douresseaux describes the backgrounds as eerie and Lovecraftian and says that Hoshino "makes practically every page a delightful surprise of gothic style and beguiling violence". However, he believes that the character designs are the "most visually striking" element and comments that the designs and the action scenes are highly imaginative, worth even just an occasional look. The reviewer Charles Tan from ComicsVillage.com does not feel as positively toward the art, saying that it is done competently enough to distinguish characters while still providing flashy scenes with the common themes of a shōnen series. Ben Leary, a reviewer from Mania.com, felt even less positive toward the action scenes than Tan. Leary believes that Hoshino simply cannot or will not draw physical combat and instead chooses to rely on energy blasts, swirling wind, and impact bursts. Casey Brienza of Anime News Network agrees. She said that "the battles, even as late in the game as volume twelve, remain practically unintelligible" and that it is difficult to tell "who is doing what to whom and when." All that could be discerned from Hoshino's "cryptic layouts" is that the characters are fighting. Brienza, however, is positive toward the rest of the art, going as far as to call it "some of the best artwork in the business". She describes Hoshino's drawing style as the "aesthetic yet dynamic, superbly beautiful yet super-violent" style made famous by female manga artist who arose from dōjinshi subculture during the late-80s and early-90s, citing Clamp and Yun Kōga as prominent examples. Brienza also praises Hoshino's character designs, which she claims are "especially lovely and pitched to satisfy fans of both sexes".
Read more about this topic: Katsura Hoshino
Famous quotes containing the word style:
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)