Style
Hoshino has been highly praised for her art and character designs. Leroy Douresseaux of Coolstreak Cartoons called Hoshino a "wonderful visualist" and commented that her "highly stylish" art resembled the works of Joe Madureira, Kelley Jones, and Chris Bachalo. Douresseaux describes the backgrounds as eerie and Lovecraftian and says that Hoshino "makes practically every page a delightful surprise of gothic style and beguiling violence". However, he believes that the character designs are the "most visually striking" element and comments that the designs and the action scenes are highly imaginative, worth even just an occasional look. The reviewer Charles Tan from ComicsVillage.com does not feel as positively toward the art, saying that it is done competently enough to distinguish characters while still providing flashy scenes with the common themes of a shōnen series. Ben Leary, a reviewer from Mania.com, felt even less positive toward the action scenes than Tan. Leary believes that Hoshino simply cannot or will not draw physical combat and instead chooses to rely on energy blasts, swirling wind, and impact bursts. Casey Brienza of Anime News Network agrees. She said that "the battles, even as late in the game as volume twelve, remain practically unintelligible" and that it is difficult to tell "who is doing what to whom and when." All that could be discerned from Hoshino's "cryptic layouts" is that the characters are fighting. Brienza, however, is positive toward the rest of the art, going as far as to call it "some of the best artwork in the business". She describes Hoshino's drawing style as the "aesthetic yet dynamic, superbly beautiful yet super-violent" style made famous by female manga artist who arose from dōjinshi subculture during the late-80s and early-90s, citing Clamp and Yun Kōga as prominent examples. Brienza also praises Hoshino's character designs, which she claims are "especially lovely and pitched to satisfy fans of both sexes".
Read more about this topic: Katsura Hoshino
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