Theatre
Finneran "has played barflies and rich girls, giggly ingénues and world-weary lowlifes..."
She played a "lovely but dim fashion model" in the original Broadway production of Neil Simon's Proposals in 1997-1998, Sally Bowles in the 1998 Broadway revival of Cabaret (from November 21, 2000 to January 18, 2001), and call girl Cora in the 1999 Broadway revival of The Iceman Cometh, opposite Kevin Spacey. She also has appeared in My Favorite Year with Tim Curry and John Guare's Bosoms and Neglect and Smell of the Kill, with Kristen Johnson.
She won the Tony Award and the Drama Desk Award for Best Featured Actress in a Play in 2002 for her role as Brooke Ashton in the Broadway revival of Noises Off.
Finneran appeared Off-Broadway at the Laura Pels Theater in the Greg Kotis play Pig Farm, in the original opening cast as Tina. The play opened in June 2006 and ran through September 23, 2006.
Finneran appeared in the original cast of Love, Loss, and What I Wore, which opened Off-Broadway at the Westside Theater in September 19, 2009 for a four-week engagement ending on October 18, 2009. The play "....is performed by a rotating cast of five. For the first four weeks of the run Ms. O’Donnell is joined by the actresses Tyne Daly, Katie Finneran and Natasha Lyonne, and Samantha Bee..." Finneran returned to the show (after her initial four-week engagement) on November 18, 2009, to fill in for Kristen Chenoweth, and continued on in the play in the next four-week rotation as well (from December 14, 2009to January 3, 2010). She appeared in the first Broadway revival of the musical Promises, Promises as Marge MacDougall, opposite Kristin Chenoweth and Sean Hayes. The show opened March 27, 2010 and Finneran left the show on October 10, 2010 due to her pregnancy. She won the 2010 Tony Award for Best Featured Actress in a Musical for this role.
Finneran is playing the role of Miss Hannigan in the Broadway 2012 revival of the musical Annie.
Read more about this topic: Katie Finneran
Famous quotes containing the word theatre:
“Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyans—which is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.”
—George Eliot [Mary Ann (or Marian)
“Art is for [the Irish] inseparable from artifice: of that, the theatre is the home. Possibly, it was England made me a novelist.”
—Elizabeth Bowen (1899–1973)
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (1900–1993)