Career
Quinlan made her film debut in George Lucas' 1973 nostalgic look at the early sixties, American Graffiti, at the age of 19 (although she did appear in an uncredited role in 1972's One is a Lonely Number). As a young actress, she guest-starred in several 1970s television series including Police Woman, Ironside, Emergency!, Kojak and The Waltons.
She has appeared in over 50 films, but is perhaps best known for her roles as Deborah, a schizophrenic, in the film version of I Never Promised You a Rose Garden, for which she earned a Golden Globe nomination for Best Actress in a Motion Picture-Drama, and for a Golden Globe and Oscar nominated turn in the Best Supporting Actress category as an astronaut's wife, Marilyn Lovell, in the 1995 true story Apollo 13 opposite Tom Hanks.
Quinlan also made a mark as Jim Morrison's Celtic Pagan lover Patricia Kennealy in Oliver Stone's The Doors, and won a Blockbuster Entertainment Award as Favorite Supporting Actress-Suspense, for Breakdown (1997) with Kurt Russell. Her recent work includes the TV series House, the 2006 remake of the horror classic The Hills Have Eyes and as the wife of a government traitor in the 2007 film Breach.
On November 10, 2008, TV Guide reported that Quinlan would join Fox drama Prison Break in a recurring role as a high-ranking player within the Company. Quinlan played Michael and Lincoln's mother, Christina Rose Scofield, who never died but, in fact, has been working for the Company.
Kathleen stars in Pieter Gaspersz' AFTER (2011) as Nora Valentino and joins a powerful cast of John Doman, Pablo Schreiber and Sabrina Gennarino in the drama about secrets and how far we will go to protect the ones we love.
Kathleen made an appearance as Senator Michaels (2011) in the episode 'Alliances' from the sci-fi series Stargate Universe.
Read more about this topic: Kathleen Quinlan
Famous quotes containing the word career:
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
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“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)