Kashchey The Deathless - Structure of The Opera

Structure of The Opera

Scene 1
  1. Dni bez prosveta (Princess and Kashchey)
  2. Ya vishu devu krasoty chudesnoy (Princess, Kashchey and Burya-Bogatyr)
  3. Temny yeyo ochi (Arioso of Kashchey)
  4. Vy, gusli samogudy (Choir / Interlude)
Scene 2
  1. Nastala noch (Arioso of Kashcheyevna)
  2. Glukhaya noch (Scene and arietta of Ivan-Korolevich)
  3. Pit'yo prokhladnoe (Duet of Kashcheyevna and Ivan-Korolevich)
  4. Zasnul (Kashcheyevna, Ivan-Korolevich and Burya-Bogatyr)
Scene 3
  1. Bayu, bay, Kashchey sedoy (The Lullaby of Princess)
  2. Mereshchitsja (Duet of Princess and Ivan-Korolevich)
  3. Prosti, lyubimy korolevich moy (Kashcheyevna, Princess, Ivan-Korolevich and Kashchey)
  4. Konets zlomu tsarstvu (Final chorus)

Read more about this topic:  Kashchey The Deathless

Famous quotes containing the words structure of the, structure of, structure and/or opera:

    “Women over fifty already form one of the largest groups in the population structure of the western world. As long as they like themselves, they will not be an oppressed minority. In order to like themselves they must reject trivialization by others of who and what they are. A grown woman should not have to masquerade as a girl in order to remain in the land of the living.”
    —Germaine Greer (b. 1939)

    “... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.”
    —Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)

    “When a house is tottering to its fall,
    The strain lies heaviest on the weakest part,
    One tiny crack throughout the structure spreads,
    And its own weight soon brings it toppling down.”
    —Ovid (Publius Ovidius Naso)

    “The opera house sparkled with tiers
    And tiers of eyes, like mine enlarged by belladonna,”
    —James Merrill (b. 1926)