Karva Chauth - Etymology and Origins

Etymology and Origins

Karva is another word for diya (a small earthen oil-lamp) and chauth means 'fourth' in Hindi (a reference to the fact that the festival falls on the fourth day of the dark-fortnight, or krishna paksh, of the month of Kartik).

It is uncertain how the festival originated and how it came to be celebrated only in the northwestern part of the Indian subcontinent. One hypothesis is that military campaigns and long-distance travel usually resumed around the time of the festival, as the area dried and numerous rivers of the region (see: Sapta Sindhu) subsided from the effects of the monsoon. Women observed the fast to pray for the safety of their husbands at this time as they ventured away from home. The festival also coincides with the wheat-sowing time (i.e. the beginning of the Rabi crop cycle). Big earthen pots in which wheat is stored are also sometimes called karvas, so the fast may also have begun as a prayer for a good harvest in this predominantly wheat-eating region.

Read more about this topic:  Karva Chauth

Famous quotes containing the words etymology and/or origins:

    Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.
    Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)