Works
Among Szymanowski's better known orchestral works are four symphonies (including No. 3, Song of the Night with choir and vocal soloists and No. 4, Symphonie Concertante, with piano concertante) and two violin concertos. His stage works include the ballets Harnasie and Mandragora and the operas Hagith and Król Roger ('King Roger'). He wrote much piano music, including the four Études, Op. 4 (of which No. 3 was once his single most popular piece), many mazurkas and the exquisite and highly individual Métopes. Other works include the Three Myths for violin and piano, the evocative Nocturne and Tarantella, two string quartets, a sonata for violin and piano, a number of orchestral songs (some to texts by Hafiz and James Joyce) and his Stabat Mater, an acknowledged choral masterpiece.
According to Samson (p. 131), "Szymanowski adopted no thorough-going alternatives to tonal organization the harmonic tensions and relaxations and the melodic phraseology have clear origins in tonal procedure, but an underpinning tonal framework has been almost or completely dissolved away."
Read more about this topic: Karol Szymanowski
Famous quotes containing the word works:
“Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.”
—Johann Wolfgang Von Goethe (1749–1832)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)