Karel Goeyvaerts - Selected Works

Selected Works

  • Opera: Aquarius (L'ère du verseau) (1983–92)
  • Orchestra
    • Violin Concerto No. 1 (1948)
    • Violin Concerto No. 2 (1951)
    • Zomerspelen (1961)
    • Al naar gelang (1971)
    • Litanie III (1980)
    • Aquarius (concert version) (1991)
  • Ensemble
    • Tre Lieder per sonar a venti-sei (1949)
    • Nr. 2 voor 13 instrumenten (1951)
    • Nr. 3 met gestreken en geslagen tonen (1952)
    • Nr. 6 met 180 klankvoorwerpen (1954)
    • Pour que les fruits mûrissent cet été, for 14 Renaissance instruments (1975)
    • Erst das Gesicht... (1978)
    • Zum Wassermann (1984)
    • Avontuur (1985)
    • De Heilige Stad (1986)
    • Das Haar (1990)
  • Vocal-instrumental
    • Elegische muziek (1950)
    • Mis voor Paus Johannes XXIII (1968)
    • Bélise dans un jardin (1972)
    • Litanie IV, for soprano, flute, clarinet, piano, violin, and cello (1981)
    • De Stemmen van de Waterman (1985)
  • Choir: Mon doux pilote s'endort aussi (1976)
  • Chamber music
    • Op. 1, Sonata for 2 pianos (1951),
    • Ach Golgatha!, for percussion, harp, and organ (1975)
    • Honneurs funèbres à la tête musicale d’Orphée, for 6 ondes Martenot (1978)
    • Litanie II, for 3 percussionists (1980)
    • Aemstel Kwartet (1985)
    • De Zeven Zegels, for string quartet (1986)
    • Voor Strijkkwartet (1992)
  • Piano
    • Litanie I (1979)
    • Pas à Pas (1985)
  • Tape:
    • Nr. 4 met dode tonen (1952)
    • Nr. 5 met zuivere tonen (1953)
    • Nr. 7 met convergerende en divergerende niveaus (1955)
    • Nachklänge aus dem Theater I–II (1972)
  • Instrument(s) plus tape:
    • Stuk voor piano en tape (1964)
    • Piano Quartet (1972)
    • You'll Never Be Alone Anymore (1975)
    • Litanie V, for harpsichord and tape (1982)

Read more about this topic:  Karel Goeyvaerts

Famous quotes containing the words selected and/or works:

    The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.
    Walter Bagehot (1826–1877)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)