Karabakh Carpet - History

History

Carpet-weaving was historically a major traditional profession for the majority of the female population of Karabakh, including many Armenian families. Prominent Karabakh carpet weavers there were men too. The oldest extant Armenian carpet from the region, referred to as Artsakh during the Medieval era, is from the village of Banants (near Gandzak) and dates to the early 13th century. The first time that the Armenian word for pile carpet, gorg, was used in historical sources was in a 1242-1243 Armenian inscription on the wall of the Kaptavan Church in Artsakh, whereas Armenian word "carpet" was first used in the 5th century translation of the Bible.

Carpet-weaving in Karabakh especially developed beginning from the second half of the 19th century, when the population of many areas in Karabakh was engaged in carpet-weaving, mainly for commercial sale purposes. At this time Shusha became the center of the Karabakh carpet-weaving. Karabakh and Shusha carpets have greatly influenced the Nakhchivan and Zangezur schools of carpets. Some experts actually consider these schools to be sub-categories of the Karabakh carpet school. Shusha's carpet-weavers, Meshedi Bayram Gurban-oglu, Djabbar Haji Akber-oglu, Fatima Aga Sherif-gizi, Ahmed Dashdamir-oglu participated and were awarded prizes in an international show in Paris in 1867. Shusha carpets also received awards in 1872 in Moscow Polytechnic Exhibition.

Read more about this topic:  Karabakh Carpet

Famous quotes containing the word history:

    ... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
    Adrienne Rich (b. 1929)

    The history of persecution is a history of endeavors to cheat nature, to make water run up hill, to twist a rope of sand.
    Ralph Waldo Emerson (1803–1882)

    I assure you that in our next class we will concern ourselves solely with the history of Egypt, and not with the more lurid and non-curricular subject of living mummies.
    Griffin Jay, and Reginald LeBorg. Prof. Norman (Frank Reicher)