Works
Munshi was also a litterateur with a wide range of interests. He is well known for his historical novels in Gujarati, especially his trilogy Patan-ni-Prabhuta (The Greatness of Patan), Gujarat-no-Nath (The Ruler of Gujarat) and Rajadhiraj (The Emperor). His other works include Jay Somnath (on Somnath temple), Krishnavatara (on Lord Krishna), Bhagavan Parasurama (on Parshurama), and Tapasvini (The Lure of Power) a novel with a fictional parallel drawn from the Freedom Movement of India under Mahatma Gandhi. Munshi also wrote several notable works in English.
Munshi has written mostly based on fictional historical themes namely
- Earlier Aryan settlements in India (What he calls Gaurang's - white skinned)
- Krishna's endeavors in Mahabharata kaal
- More recently in 10th century India around Gujarat, Malwa and Sourthen India.
K.M. Munshi's novel Prithvi Vallabh was made into a movie of the same name twice. The adaptation directed by Manilal Joshi in 1924 was very controversial in its day: Mahatma Gandhi railed against it for excessive sex and violence. The second version was by Sohrab Modi in 1943.
Read more about this topic: Kanaiyalal Maneklal Munshi
Famous quotes containing the word works:
“A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
—Anita Brookner (b. 1938)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)