Episodes
| # | Title | Original airdate |
|---|---|---|
| 01 | "Do you Believe in God?" "Kamisama Shinjimasuka?" (神様信じますか?) |
2006-05-18 |
| The first episode describes Samatarou and Tenko's daily life, and how they and Kumiko met. | ||
| 02 | "Samatarou's Violent, Epic First Love Battle" "Samatarō Hatsukoi Mōretsu Daisakusen" (佐間太郎初恋モーレツ大作戦) |
2006-05-25 |
| Samatarou decides to win Kumiko's heart by his own effort, and asks for Tenko's assistance. | ||
| 03 | "Trembling Heart's Roulette" "Yureru Kokoro no Rūretto" (揺れる心のルーレット) |
2006-06-01 |
| Samatarou gets another chance to get along with Kumiko, but faces more trouble when Meme creates a device to control her emotions. | ||
| 04 | "Tenko's Tears - Upon Her Glittering Wings..." "Tenko no Namida - Kagayaku Tsubasa no Saki ni" (天使の涙 輝く翼の先に...) |
2006-06-08 |
| Tired of their interference, Samatarou convinces his family to transform him into a human, but he was unaware of the consequences of this request. | ||
| 05 | "The Season of Love? Interested in Him?" "Koi no Kisetsu? Ki ni naru Aitsu?" (恋の季節?!気になるアイツ?) |
2006-06-15 |
| Shinichi is in awe as he believes he found the girl of his dreams, but Samatarou has a feeling that he knows her from somewhere. Meanwhile, Tenko is behaving strangely. | ||
| 06 | "Tenko's Baby" "Tenko no Akachan" (テンコの赤ちゃん) |
2006-06-22 |
| A mysterious baby appears before Tenko and Samatarou, and the duo decide to take care of her. Meanwhile, Shinichi is having trouble with his crush. | ||
| 07 | "Growing Girl" "Hatsuiku Shōjo" (発育少女) |
2006-06-29 |
| Ai keeps growing faster and faster, and unwillingly gives lots of trouble to Samatarou and Tenko. | ||
| 08 | "Important Friend" "Taisetsu na Otomodachi" (たいせつなおともだち) |
2006-07-06 |
| After finally solving the mystery involving Ai and the wheelchaired girl, things start to heat up between Samatarou and Tenko. Osamu sends Samatarou back in time since he reveals him as God to a human. | ||
| 09 | "First Love Once More..." "Hatsukoi Matatabi..." (初恋 再び...) |
2006-07-13 |
| Tenko receives an order to return to heaven as her duties with Samatarou are completed, but she refuses to do so. Just when Samatarou and Tenko are trying to sort out their feelings for each other, Kumiko returns. | ||
| 10 | "Pink Savings in a Teary Heart?!" "Namida no Hāto de Momoiro Chokin?!" (涙のハートで桃色貯金?!) |
2006-07-20 |
| Suguru, an Archangel, descends to Earth and accepts Tenko's request to wait three days before she returns to heaven with him. Meanwhile, Kumiko introduces Samatarou to her mother. | ||
| 11 | "Midnight Girl" "Mayonaka no Shōjo" (真夜中の少女) |
2006-07-27 |
| Tenko decides to investigate about Kumiko's life and discovers the truth about her. | ||
| 12 | "Kiss" "Kisu" (キス) |
2006-08-03 |
| Samatarou finally realizes his feelings for Tenko and breaks up with Kumiko. Kumiko however, tells him all the truth just before the real enemy reveals herself. | ||
| 13 | "The Bonds That Connect Angels' Prayers" "Tenshi no Inori Tsunagaru Kizuna" (天使の祈りつながる 絆) |
2006-08-10 |
| One by one the members of the Kamiyama family fall before Fumiko's power. Samatarou must find a way to fight her, being careful to not surrender himself to wrath and become a demon himself. He then defeats Fumiko by killing the demon inside him. Tenko and Kumiko save him and Kumiko turns into an angel. At the end Tenko and Samatarou kiss and they all take a photo together. | ||
Read more about this topic: Kamisama Kazoku
Famous quotes containing the word episodes:
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)