Kajukenbo - Style

Style

Kajukenbo uses hard, fast strikes to vital points throughout the body, take-downs involving high impact throws, and many joint and limb destruction techniques, usually as follow-ups to take-downs. There are also blocks from attacks, such as punches and defenses and disarmament of offensive weapons. The name works in two ways: "ka" ("long life"), "ju" ("happiness"), "ken" ("fist"), "bo" ("style") or "ka" ("karate"), "ju" ("judo"/"jujutsu"), "ken" ("kenpo"), "bo" (Boxing and/or Chinese Boxing Kung Fu), leading to the art's philosophical meaning: "Through this fist style, one gains long life and happiness."

Kenpo emerged as the core around which this new art was built. Although uncredited by name, other influences included American Boxing (Choo was US Army Welterweight Champion) and Escrima (Emperado also studied Kali and Arnis Escrima). From its beginnings Kajukenbo was an eclectic and adaptive art. As time has passed Kajukenbo has continued to change and evolve. Currently there are four distinct "recognized" branches of Kajukenbo: Kenpo ("Emperado Method" or "Traditional Hard Style"), Tum Pai, Chu'an Fa, and Wun Hop Kuen Do. In addition there are numerous branches, including CHA-3 and Kenkabo. Students are not required to mimic the teacher, but are encouraged to develop their own "expression" of the art.

Read more about this topic:  Kajukenbo

Famous quotes containing the word style:

    It is the style of idealism to console itself for the loss of something old with the ability to gape at something new.
    Karl Kraus (1874–1936)

    Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.
    Stephanie Martson (20th century)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)