Style
Unlike most comic series, the plot of Kabuki moves very little over the course of the volumes. Very little fast-paced or violent action takes place. Instead, most of the focus is on memories, dreams, thoughts and philosophy. David Mack's characters, especially Kabuki herself, revisit the same scenes and memories many times, rethinking them and their significance. Mack uses myriad art styles, not only pencil, ink, and color, but paint, magazine clippings, manga scans, and crayons. In Kabuki: The Alchemy especially, many of the pages are photos (or color scans) of collages using a variety of materials; for example, the fingers of Japanese sandalwood fans become the borders of the comic panels. Imagery is very important and prominent in the series; Mack reuses the same images, often changing them slightly, and focusing on the emotional content of images and the power of memories.
In Kabuki: Masks of the Noh, a different artist was assigned to each agent as a way of visually representing their personalities. This continued in Kabuki: Scarab, which was written by Mack with art by Rick Mays, who had previously drawn Scarab in Masks of the Noh.
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Famous quotes containing the word style:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.”
—Thornton Wilder (1897–1975)