Works
His magnum opus Keralathile Pakshikal (Birds of Kerala) first published in 1958 is considered to be a classic in Malayalam. Described with illustrations of 261 birds found in Kerala, it is considered a unique work among Indian languages. A collection of his essays on environment, bird watching and birds titled Pullu Thottu Poonara Vare won the award of the State Department of Science, Technology and environment for popular Science writing and also the I. C. Chacko Endowment prize by the Kerala Sahitya Academy. Pakshikalum Manushyarum, his other work on birds and bird watching for children, also has won two awards from the Kerala Government and Kairali Children's Book Trust instituted for Children's literature.
When the editor for Macmillan Publishers approached him for a book on any subject of his own choice in English, he offered instead to write a book on birds and bird watching for children in Malayalam. He started bird watching at a young age when he was living in his ancestral house at Kavassery. He practiced this hobby very seriously at all places wherever he had been working.
In 1949, Induchoodan got the rare good fortune of stumbling upon the largest pelicanry in India. He found it at Aredu some 13 miles from Tadepalligudam in the East Godavari District. This finding was published in 1949. Induchoodan was the president of Prakriti Samrakshna Samithi and led the Silent Valley Agitation during the year 1979. He was the founder and President of Kerala Natural History Society and Honorary member of WWF India. He pursued the study of birds until his death at the age of 69.
Read more about this topic: K. K. Neelakantan
Famous quotes containing the word works:
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)