Justin Pearson - Early Life

Early Life

Justin Pearson was born on August 20, 1975 and initially raised in Phoenix, Arizona by his parents. He was a single child and went by the nickname J.P. Pearson has stated he liked music and the aesthetics of rock music since he was little.

Around ten his mother's cousin let him borrow a guitar, and he eventually moved onto bass. He also began skateboarding and listening to the Thrasher skate/rock compilation tapes with bands like Septic Death, the Sex Pistols, The Misfits, and Suicidal Tendencies. He has stated he was especially drawn towards the music that touched on social politics. Pearson also got into break dancing and early rap like Run DMC and the Beastie Boys, as well as developing an interest in metal. In Phoenix he lived a couple blocks away from some of the bandmembers of Slayer.

When Pearson was twelve years old his father was murdered. Later that year in 1987, Pearson and his mother moved to San Diego, California, specifically Clairemont. His mother's new boyfriend moved with them, and Pearson has stated that the man was physically and emotionally abusive towards both of them. At his new middle school he also faced death threats and attacks from skinhead students.

Pearson continued to play guitar, taking a few lessons before teaching himself how to play the instrument with friends. At age 13 he met future collaborator Eric Allen. He met and befriended Matt Anderson of End of the Line at the age of 14.

Pearson was soon exposed to the unique San Diego hardcore punk scene and began attending all the all-ages shows he could, discovering influential local bands such as Amenity, Heroin, Forced Down, Drive Like Jehu, and Crash Worship. He also attended metal shows at house parties, eventually discovering Che Café, an all-ages venue on the campus of UC San Diego. The Che frequently hosted underground metal and punk bands. At the venue he saw shows by Blast, Chain of Strength, Carcass, Chumbawumba, Crossed Out, Inside Out, Filth, and Sleep. Pearson befriended a number of the musicians, stating "I'd go and talk to all the bands. They were really down-to-earth people, but they had this art that was just mind-blowing. When they played they would turn into ax murderers on instruments."