Career
Although she has gained fame through her television and film work, and has often undertaken roles for BBC Radio, she is best known as a stage actress. Significant stage roles include her lead performance as Anna in the UK premiere of Burn This in 1990, and as Paulina in Death and the Maiden in 1991. For the latter, she was awarded the 1992 Laurence Olivier Award for Best Actress.
In the 1987 TV film Life Story (American title, The Race for the Double Helix), Stevenson played the part of scientist Rosalind Franklin, for which she won a Cable Ace award. She is known for her leading role in the film Truly, Madly, Deeply (1991), and her roles in The Secret Rapture (1993), Emma (1996), Bend It Like Beckham (2002) and Mona Lisa Smile (2003). She has more recently starred in Pierrepoint (2006), Infamous (2006) as Diana Vreeland and Breaking and Entering (2006) as Rosemary, the therapist.
In 2009, she starred in ITV's A Place of Execution. The role won her the Best Actress Dagger at the 2009 Crime Thriller Awards. She enjoys a thriving career as a book reader, and has recorded all of Jane Austen's novels as unabridged audiobooks, as well as a number of other classics, such as Lady Windermere’s Fan, Hedda Gabler, Stories from Shakespeare, and To the Lighthouse.
Read more about this topic: Juliet Stevenson
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)