Julien Green - Works

Works

  • Pamphlet contre les catholiques de France (1924)
  • Mont Cinère (1926)
  • Suite anglaise (1927)
  • Le voyageur sur la terre (1927)
  • Adrienne Mesurat (1927)
  • Un puritain homme de lettres (1928)
  • Léviathan (The Dark Journey, 1929)
  • L'autre sommeil (1930)
  • Épaves (The Strange River, 1932)
  • Le visionnaire (The Dreamer, 1934)
  • Minuit, (Midnight, 1936)
  • Journals I, II, III (1938–46)
  • Varouna (Then Shall the Dust Return, 1940)
  • Memories of Happy Days (1942)
  • Si j'étais vous... (If I Were You, 1947)
  • Moïra (1950)
  • Sud (1953)
  • L'ennemi (1954)
  • La malfaiteur (The Transgressor, 1956)
  • L'ombre (1956)
  • Le bel aujour-d'hui (1958)
  • Chaque homme dans sa nuit (1960)
  • Partir avant le jour (To Leave Before Dawn/The Green Paradise, 1963)
  • Mille chemins ouverts (The War at Sixteen, 1964)
  • Terre lointaine (Love in America, 1966)
  • Les années faciles (1970)
  • L'autre (The Other One, 1971)
  • Qui sommes-nous (1972)
  • Ce qui reste du jour (1972)
  • Jeunesse (1974)
  • La liberté (1974)
  • Memories of Evil Days (1976)
  • La Nuit des fantômes (1976)
  • Le Mauvais lieu (1977)
  • Ce qu'il faut d'amour à l'homme (1978)
  • Dans la gueule du temps (1979)
  • Paris (1984)
  • Les Pays lointains (The Distant Lands, 1987)
  • Les Étoiles du sud (The Stars of the South, 1989)
  • Dixie (1994)

Read more about this topic:  Julien Green

Famous quotes containing the word works:

    “...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
    —Sarah N. Cleghorn (1876–1959)

    “Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
    —Paul Valéry (1871–1945)

    “The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.”
    —Elizabeth Barrett Browning (1806–1861)