Julian Clary - Writing

Writing

Clary has released two large format comedy books: My Life With Fanny The Wonder Dog (1989) and How To Be A Man (1992).

Between 2005 and 2008, Clary wrote a fortnightly column for New Statesman magazine. He has also published an autobiography, A Young Man's Passage, which covers his life and career up to the 1993 "Norman Lamont incident" at the British Comedy Awards (see above). In 2007, Clary released his first novel, Murder Most Fab, published by Ebury Press. His second novel, Devil in Disguise, was published in 2009.

  • Clary, Julian (7 April 2005). A Young Man's Passage. Ebury Press. ISBN 978-0-09-190872-0.
  • Clary, Julian (16 August 2007). Murder Most Fab. Ebury Press. ISBN 978-0-09-191449-3.
  • Clary, Julian (7 May 2009). Devil in Disguise. Ebury Press. ISBN 978-0-09-192733-2.
  • Clary, Julian (29 Mar 2012). Briefs Encountered. Ebury Press. ISBN 978-0-09-193883-3.

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Famous quotes containing the word writing:

    “He who should inspire and lead his race must be defended from travelling with the souls of other men, from living, breathing, reading and writing in the daily, time-worn yoke of their opinions.”
    —Ralph Waldo Emerson (1803–1882)

    “When, said Mr. Phillips, he communicated to a New Bedford audience, the other day, his purpose of writing his life, and telling his name, and the name of his master, and the place he ran from, the murmur ran round the room, and was anxiously whispered by the sons of the Pilgrims, “He had better not!” and it was echoed under the shadow of the Concord monument, “He had better not!””
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    “What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
    —Jean Cocteau (1889–1963)