Career
Beck co-directed the Living Theatre until his death. The group's primary influence was Antonin Artaud, who espoused the Theatre of Cruelty, which was supposed to shock the audience out of complacency. This took different forms. In one example, from Jack Gelber's The Connection, a drama about drug addiction, actors playing junkies wandered the audience demanding money for a fix. The Living Theatre moved out of New York in 1974, after the Internal Revenue Service shut it down when Beck failed to pay $23,000 in back taxes. After a sensational trial, in which Beck and Malina represented themselves, they were found guilty by a jury.
Beck's philosophy of theatre carried over into his life. He once said, "We insisted on experimentation that was an image for a changing society. If one can experiment in theatre, one can experiment in life." He was indicted a dozen times on three continents for charges such as disorderly conduct, indecent exposure, possession of narcotics, and failing to participate in a civil defense drill.
Besides his theatre work, Beck published several volumes of poetry reflecting his anarchist beliefs, two non-fiction books: The Life of the Theatre and Theandric and had several film appearances, with small roles in Emergency, Oedipus Rex, The Cotton Club, 9½ Weeks, and his role in Poltergeist II: The Other Side.
In 1970 Beck's work was denounced alongside Eugène Ionesco and Samuel Beckett by Nëndori, the literary monthly of Albania, for supposedly being "inundated by mysticism and pornography."
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