Juggling Club - Passing

Passing

Clubs are the object of choice for passing between jugglers. Juggling clubs are much larger than balls, so they require less accuracy to catch when thrown by another person.

When making a pass to another juggler, the club usually completes one-half extra rotation than a self throw. This is because a passed club rotates in the opposite direction from a self throw. In passing clubs, the club rotates in the opposite direction as a rolling wheel. For a reverse throw the club rotates the same direction as a rolling wheel—rolling in the same direction—would rotate, such that the handle comes down into the catcher's upturned hand. In a 'normal' throw the hand catches the club with the hand turned palm downwards. This is opposite of the way a club is caught when thrown to oneself.

Beginning club passing is generally done with six clubs between two jugglers, each passing every fourth beat. The passes are made from one juggler's right hand to the other juggler's left hand, so the clubs travel perpendicular to both jugglers. This basic pattern is called four count or every-others. The four-count (pass—two—three—four, pass—two—three—four, pass—two—three—four) is well suited to juggling to music.

More advanced club passing can involve more objects, more jugglers and more intricate patterns. A notation for describing club passing patterns, called causal notation was developed by Martin Frost of the Stanford Juggling Research Institute.

Read more about this topic:  Juggling Club

Famous quotes containing the word passing:

    Fame is no sanctuary from the passing of youth ... suicide is much easier and more acceptable in Hollywood than growing old gracefully.
    Julie Burchill (b. 1960)

    It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively, without being at any ball of any description, and no material injury accrue either to body or mind; Mbut when a beginning is made—when felicities of rapid motion have once been, though slightly, felt—it must be a very heavy set that does not ask for more.
    Jane Austen (1775–1817)

    We all end up living secret lives. We create what we are willing to admire and admiring what we shouldn’t confess to the secret of our own sin, our own insufficiency, our own sadness. We all end up taking our secrets into the world and handing them over to strangers, only to realize it’s often too late to claim them back. The very nature of time passing is sad beyond words. Memories mean they’re gone.
    Alexander Theroux (b. 1940)