Cofer's Literary Work
Ortiz Cofer's work can largely be classified as creative nonfiction. Her narrative self is strongly influenced by oral storytelling, which was inspired by her grandmother, an able storyteller in the tradition of teaching through storytelling among Puerto Rican women. Cofer's autobiographical work often focuses on her attempts at negotiating her life between two cultures, American and Puerto Rican, and how this process informs her sensibilities as a writer. Her work also explores such subjects as racism and sexism in American culture, machismo and female empowerment in Puerto Rican culture, and the challenges diasporic immigrants face in a new culture. Among Cofer's more well known essays are "The Story of My Body" and "The Myth of the Latin Woman," both reprinted in The Latin Deli.
In 1984, Cofer joined the faculty of the University of Georgia, where she is currently Franklin Professor of English and Creative Writing. In April 2010, Ortiz Cofer was inducted into the Georgia Writers Hall of Fame.
In 1994, she became the first Hispanic to win the O. Henry Prize for her story “The Latin Deli”. In 1996, Cofer and illustrator Susan Guevara became the first recipients of the Pura Belpre Award for Hispanic children’s literature.
Read more about this topic: Judith Ortiz Cofer
Famous quotes containing the words literary work, literary and/or work:
“There is a difference between dramatizing your sensibility and your personality. The literary works which we think of as classics did the former. Much modern writing does the latter, and so has an affinity with, say, night-club acts in all their shoddy immediacy.”
—Paul Horgan (b. 1904)
“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”
—Clive James (b. 1939)
“To deny the need for comprehensive child care policies is to deny a reality—that there’s been a revolution in American life. Grandma doesn’t live next door anymore, Mom doesn’t work just because she’d like a few bucks for the sugar bowl.”
—Editorial, The New York Times (September 6, 1983)