Criticism
Literary critics have focused on the relationship between the Judah story in chapter 38, and the Joseph story in chapters 37 and 39. Victor Hamilton notes some “intentional literary parallels” between the chapters, such as the exhortation to “identify” (38:25-26 and 37:32-33). Emerton regards the connections as evidence for including chapter 38 in the J corpus, and suggests that the J writer dovetailed the Joseph and Judah traditions. Derek Kidner points out that the insertion of chapter 38 “creates suspense for the reader ,” but Robert Alter goes further and suggests it is a result of the “brilliant splicing of sources by a literary artist.” He notes that the same verb “identify” will play “a crucial thematic role in the dénouement of the Joseph story when he confronts his brothers in Egypt, he recognizing them, they failing to recognize him." Similarly, J. P. Fokkelman notes that the "extra attention" for Judah in chapter 38, "sets him up for his major role as the brothers' spokesman in Genesis 44."
J. A. Emerton notes that it is “widely agreed” that the story of Judah and Tamar “reflects a period after the settlement of the Israelites in Canaan.” He also suggests the possibility that it contains “aetiological motifs concerned with the eponymous ancestors of the clans of Judah.” Emerton notes that Dillman and Noth considered the account of the deaths of Er and Onan to “reflect the dying out of two clans of Judah bearing their names, or at least of their failure to maintain a separate existence.” However, this view was “trenchantly criticized” by Thomas L. Thompson.
Read more about this topic: Judah (biblical Person)
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)