Plot
The film focuses on the conflict between Maximilian I, a European political dupe who is installed as the puppet ruler of Mexico by the French, and Benito Juárez, the country's president.
In 1863, Napoléon III of France, fearful he will lose Mexico to its newly-elected president Benito Juárez, circumvents the Monroe Doctrine by instituting sovereign rule and controlling an election that places Maximilian von Habsburg on the Mexican throne. Upon his arrival in the country with his wife Carlota, Maxmilian realizes he is expected to establish French supremacy by confiscating land Juárez had returned to the native people and penalizing the rebels under his command. Maximilian decides to abdicate his throne but is deterred from doing so by Carlotta.
Maximillian offers Juárez the position of prime minister, and his refusal creates a rift between the two. As the American Civil War comes to an end, the United States sends troops in support of Juárez's army, but their efforts are thwarted by vice-president Alejandro Uradi, who seizes the American ammunition and therefore virtually guarantees victory for Maximilian. However, Napoleon removes all French troops from Mexico, leaving Maximilian without an army.
Angered by this move, Carlota returns to Paris to appeal to Napoleon, but she suffers a mental breakdown. Juárez and his rebels capture Maxmilian and his men and, although arrangements to set him free are made, he insists on remaining with his supporters. Tried and found guilty, they are sentenced to death by firing squad.
Read more about this topic: Juarez (film)
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)