Career
DeWitt began appearing on stage at the age of 13. While attending university, she worked as a secretary until her debut on Baretta. Contrary to reports, she has never painted actor Abe Vigoda's garage doors, and has never met the man. While performing in summer stock in the year following her graduation, a director and UCLA Theater professor convinced her to go to California for the school's MFA program.
DeWitt is best known for her role as Janet Wood during the 1977–1984 run of the sitcom Three's Company, a job she obtained after being cast in the show's second pilot.
After Three's Company ended in 1984, DeWitt appeared in an episode of Finder of Lost Loves in 1984, after which she quit acting for several years. She resumed acting with a part in a production of Noises Off at Michigan's Cherry County Playhouse in June 1991. She later appeared in the 1995 TV comedy film Spring Fling!, and made appearances in "The Pinky Protocol", a 1997 episode of Pinky and the Brain, an episode of Cybill, and a cameo on the penultimate episode of Living Single. Her 2000s works includes TV shows such as Hope Island, 18, The Nick at Nite Holiday Special, and Call of the Wild.
DeWitt would go on to co-produce and host the 2003 NBC-TV television film Behind the Camera: The Unauthorized Story of Three's Company, with actress Melanie Deanne Moore portraying her during her time on Three's Company. In late 2008, she also earned a part in an independent film called Failing Better Now.
As of 2011, DeWitt was starring in the play Miss Abigail's Guide to Dating, Mating & Marriage on in New York.
DeWitt appeared on Suzanne Somers' talk show, Suzanne Somers: Breaking Through, during which she and Somers reminisced about their time on Three's Company together, Somers apologized for the conflict that arose between them, and they exchanged anecdotes about the last time they each spoke to John Ritter.
Read more about this topic: Joyce DeWitt
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)