The Journal of Higher Criticism (JHC) was an academic journal presenting "articles dealing with historical, literary, and history-of-religion issues from the perspective of higher criticism", published by the Institute for Higher Critical Studies. The editor-in-chief was Robert M. Price.
In the introductory article, the editor criticised modern biblical scholarship as "a toothless tiger or worse yet, covert apologetics wearing the Esau-mask of criticism" and advocated a return to the "golden era of bold hypotheses and daring reconstructions associated with the great names of Baur and Tübingen".
During the journal's first decade, it was sponsored by The Theological School at Drew University. Some notable contributors included Richard Carrier, Barbara Thiering, Earl Doherty, Robert Eisenman, Jacob Neusner, and George Albert Wells. The final issue of the journal (Volume 10, No. 2) appeared in Fall, 2003.
Famous quotes containing the words journal of, journal, higher and/or criticism:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“What the Journal posits is not the tragic question, the Madman’s question: “Who am I?”, but the comic question, the Bewildered Man’s question: “Am I?” A comic—a comedian, that’s what the Journal keeper is.”
—Roland Barthes (1915–1980)
“I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)
“I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.”
—Gerard Manley Hopkins (1844–1889)