The Journal of Higher Criticism (JHC) was an academic journal presenting "articles dealing with historical, literary, and history-of-religion issues from the perspective of higher criticism", published by the Institute for Higher Critical Studies. The editor-in-chief was Robert M. Price.
In the introductory article, the editor criticised modern biblical scholarship as "a toothless tiger or worse yet, covert apologetics wearing the Esau-mask of criticism" and advocated a return to the "golden era of bold hypotheses and daring reconstructions associated with the great names of Baur and Tübingen".
During the journal's first decade, it was sponsored by The Theological School at Drew University. Some notable contributors included Richard Carrier, Barbara Thiering, Earl Doherty, Robert Eisenman, Jacob Neusner, and George Albert Wells. The final issue of the journal (Volume 10, No. 2) appeared in Fall, 2003.
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“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“I think this journal will be disadvantageous for me, for I spend my time now like a spider spinning my own entrails.”
—Mary Bokin Chesnut (1823–1886)
“There are no lower or higher or median moralities. There is only one morality, and it is precisely the one that was given to us during the time of Jesus Christ and that stops me, you and Barantsevich from stealing, offending others, lying etc.”
—Anton Pavlovich Chekhov (1860–1904)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)