The Journal of Higher Criticism (JHC) was an academic journal presenting "articles dealing with historical, literary, and history-of-religion issues from the perspective of higher criticism", published by the Institute for Higher Critical Studies. The editor-in-chief was Robert M. Price.
In the introductory article, the editor criticised modern biblical scholarship as "a toothless tiger or worse yet, covert apologetics wearing the Esau-mask of criticism" and advocated a return to the "golden era of bold hypotheses and daring reconstructions associated with the great names of Baur and Tübingen".
During the journal's first decade, it was sponsored by The Theological School at Drew University. Some notable contributors included Richard Carrier, Barbara Thiering, Earl Doherty, Robert Eisenman, Jacob Neusner, and George Albert Wells. The final issue of the journal (Volume 10, No. 2) appeared in Fall, 2003.
Famous quotes containing the words journal of, journal, higher and/or criticism:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“After the writer’s death, reading his journal is like receiving a long letter.”
—Jean Cocteau (1889–1963)
“Good and evil are so close as to be chained together in the soul. Now suppose we could break that chain, separate those two selves. Free the good in man and let it go on to its higher destiny.”
—John Lee Mahin (1902–1984)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)