Selected Film & Television Credits
| Year | Name | Type | Roles | Notes |
|---|---|---|---|---|
| 1981 | The Evil Dead | Feature Film | Lighting/Effects | |
| Torro! Torro! Torro! | Short Film | Director | ||
| 1982 | Cleveland Smith: Bounty Hunter | Director/Writer/Cinematographer/Editor | ||
| 1985 | Thou Shalt Not Kill... Except | Feature Film | Director/Co-Story/Co-Writer/Cinematographer/Editor | |
| 1991 | Lunatics: A Love Story | Feature Film | Director/Writer | |
| 1993 | Real Stories of the Highway Patrol | TV Series | Co-Director | |
| 1994 | Hercules in the Maze of the Minotaur | TV Movie | Director | |
| 1996-2001 | Xena: Warrior Princess | TV Series | Director (9 Episodes, 1996-2001)/Writer (2 Episodes, 1996-1998) | |
| 1997 | Running Time | Feature Film | Director/Producer/Writer | |
| 2000 | Jack of All Trades | TV Series | Director (2 Episodes, 2000) | |
| 2001 | If I Had a Hammer | Feature Film | Director/Writer | |
| 2005 | Alien Apocalypse | TV Movie | Director/Writer | |
| 2007 | Stan Lee's Harpies | TV Movie | Director | |
| 2008 | Intent | Feature Film | Director | Unreleased |
Read more about this topic: Josh Becker
Famous quotes containing the words selected, film and/or television:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)