Works
Beach was the author of a number of works of poetry, literary criticism, and fiction. He was one of the first academic scholars to work on literary figures such as Henry James (The Method of Henry James (1918)), George Meredith (The Comic Spirit in Meredith (1911)), and Thomas Hardy. Allen Tate called his book on Henry James "a critical masterpiece, as its insights have not been replaced or improved upon to any great extent by later critics." Beach was also an authority on nineteenth-century literature, and especially Romantic poetry. He published his magnum opus, (The Concept of Nature in Nineteenth-Century English Poetry) in 1936. Beach's The Making of the Auden Canon (1957) was a study of how W. H. Auden revised his earlier-published poems as his view of the world changed. His other books include The Outlook for American Prose (1926), American Fiction: 1920-1040 (1941), and Obsessive Images: Symbolism in Poetry of the 1930s and 1940s (1960).
Beach also brought out three volumes of his own poetry--Sonnets of the Head and Heart (1903), Beginning With Plato (1944), and Involuntary Witness (1950)--as well as one novel--Glass Mountain (1930)--and a book of short stories--Meek Americans (1925). His letters and papers are housed in the Library of Congress and at the University of Minnesota library.
Read more about this topic: Joseph Warren Beach
Famous quotes containing the word works:
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)