Joseph Reed (architect) - List of Works

List of Works

  • State Library of Victoria (1854)
  • Bank of New South Wales, Collins St (1954)
  • Collins Street Baptist Church (1854)
  • Geelong Town Hall (1855)
  • Wesley Church (1857)
  • 182-186 George Street, East Melbourne (1857)
  • Royal Society Buildings (1858)
  • 157 Hotham Street, East Melbourne (1861) (attributed)
Reed & Barnes
  • Commercial Banking Company of Sydney (1862) (demolished 1956)
  • St Michaels Uniting Church (1866)
  • The Menzies Hotel (1867)
  • Rippon Lea Estate (1868)
  • Melbourne Town Hall (1869)
  • Carlton Methodist Mission, now Church of All Nations, Palmerston St, Carlton (1870)
  • Melbourne Trades Hall (1873)
  • Scots' Church (1873)
  • ANZ Bank, Collins Street (1876)
  • Faraday School, Carlton (1876)
  • Eildon Mansion (1877)
  • Eastern Market (1877) (Reed & Barnes) (demolished in the 1960s)
  • Wilson Hall, Melbourne University (destroyed by fire in 1952)
  • Royal Exhibition Building (1879)
  • Ormond College, Melbourne University (1881)
  • Holy Trinity Church, St Kilda (1882–1889)
Reed, Henderson & Smart
  • Old Pathology Building, Melbourne University (1885)
  • Lombard Building (15-17 Queen Street) (1887)
  • Baldwin Spencer Building, Melbourne University (1887)
  • Old Physics Conference Room and Gallery, Melbourne University (1888)
  • Sacred Heart Church, St Kilda (1891)
  • A.C Goode House (Wright, Reed & Beaver) (1891)
Reed, Smart & Tappin
  • Mutual Store, Flinders Street (1891)
  • Metropolitan Gas Company (1892)
  • Church of Our Lady of the Sacred Heart, Carlton (1910)

Read more about this topic:  Joseph Reed (architect)

Famous quotes containing the words list of, list and/or works:

    The advice of their elders to young men is very apt to be as unreal as a list of the hundred best books.
    Oliver Wendell Holmes, Jr. (1841–1935)

    Lovers, forget your love,
    And list to the love of these,
    She a window flower,
    And he a winter breeze.
    Robert Frost (1874–1963)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)