Radio, Television, and Film
- Thriller, aired 16 April 1962. The Lethal Ladies episode presented "Good-Bye, Mr. Bliss" as "Good-Bye, Dr. Bliss", and "The Pool" as "Murder On The Rocks". Thriller also considered using "Apprehension" but apparently determined that it would be difficult to effectively adapt to performance media.
- Tales from the Darkside, presented "Levitation".
- Italiana Radio Televisione adapted the stories, "The Calamander Chest", "The House On Stillcroft Street", "Levitation", and "Long Hollow Swamp" for broadcast in 1982.
- "Zombique" was adapted for radio and presented on THE HITCHCOCK HALF-HOUR airing on South African Broadcasting, 1981.
- "The Calamander Chest" was recorded by Caedmon Educational Recordings in 1978 with a performance by Vincent Price. This tale is Side 2 on the LP recorded album (or "B" side on cassette) The Goblins At The Bathhouse, which is the title of Ruth Manning-Sanders tale on the "A" side. This tale was also recorded by Houghton-Mifflin in 1973 for the Mystery Stories Listening Library, as a companion format to MYSTERY STORIES 1, edited by James Higgins. This recording can be accessed at
- Supposedly, Brennan was recorded reading selected poems ("Heart of Earth"; "Black October"; "When Yellow Leaves"; "Return of the Young Men"; "The Closer Light"; and "Lines To H. P. Lovecraft") during a "Meet The Authors" gathering at the First World Fantasy Convention held in Providence, Rhode Island, October 31 - November 2, 1975. Thus far this is unsubstantiated.
- Brennan was recorded as part of a panel discussion with several other authors at the First World Fantasy Convention, 1975. Some of this discussion appeared that year on a flexi-disc inserted into the fanzine Myrddin 3. The full recording can be accessed at
Read more about this topic: Joseph Payne Brennan
Famous quotes containing the word film:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)