Work
Eichendorff's guiding poetic theme was that Man should find happiness in full absorption of the beauties and changing moods of Nature. In later life he also wrote several works of history and criticism of German literature. The lyricism of Eichendorff's poetry is much praised, and his poems have been set by many composers, including Schubert, Schumann, Mendelssohn, Brahms, Hugo Wolf, Richard Strauss, Friedrich Nietzsche, Hans Pfitzner, and Alexander Zemlinsky.
His later poetic work is generally cast in narrative form (Julian, 1853; Lucius, 1857), and is tinged with his increasingly clerical views. His translations from the Spanish, Der Graf Lucanor (1845) and Die geistlichen Schauspiele Calderons (2 vols., 1846-53), were prompted by the same tendency.
Eichendorff's best known work, Aus dem Leben eines Taugenichts (English: Of the Life of a Good-For-Nothing) is typical romantic novella, whose main themes are voyage and love. The protagonist leaves his father's mill and becomes a gardener at a Viennese castle where he falls in love with the daughter of the duke. Because she is unattainable he travels to Italy but then returns and learns that she had been adopted by the duke, so nothing stands in the way of a marriage between them.
Read more about this topic: Joseph Freiherr Von Eichendorff
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“As a man has no right to kill one of his children if it is diseased or insane, so a man who has made the gradual and conscious expression of his personality in literature the aim of his life, has no right to suppress himself any carefully considered work which seemed good enough when it was written. Suppression, if it is deserved, will come rapidly enough from the same causes that suppress the unworthy members of a mans family.”
—J.M. (John Millington)
“Perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by anything short- lived or local, but abode by real and abiding traits.”
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“Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.... Of all things of thought, poetry is the closest to thought, and a poem is less a thing than any other work of art ...”
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