Musical Style
Hauer's compositional techniques are extraordinarily various, often change from one piece to the next. These range from building-block techniques to methods using a chord series that is generated out of the twelve-tone row ("Melos"). The so-called 44 "tropes" and their compositional usage ("trope-technique") are essential to Hauer's twelve-tone techniques. In contrast to a twelve-tone row that contains a fixed succession of twelve tones, a trope consists of two complementary hexachords in which there is no fixed tone sequence. The tropes are used for structural and intervallic views on the twelve-tone system. Every trope offers certain symmetries that can be used by the composer.
After 1940, Hauer wrote exclusively Zwölftonspiele ("Twelve-tone Games" or "Twelve-tone Playing"), designated sometimes by number, sometimes by date. He wrote about one thousand such pieces, most of them lost.
Read more about this topic: Josef Matthias Hauer
Famous quotes containing the words musical and/or style:
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)