Jorge Amado - Works

Works

  • The Country of Carnival (O País do Carnaval, 1931)
  • Cacau (1933)
  • Sweat (Suor, 1934)
  • Jubiabá (1935)
  • Sea of Death (Mar Morto, 1936)
  • Captains of the Sands (Capitães da Areia, 1937)
  • The Knight of Hope (Vida de Luis Carlos Prestes or O Cavaleiro da Esperança, 1942)
  • The Violent Land (Terras do Sem Fim, 1943)
  • The Golden Harvest (São Jorge dos Ilhéus, 1944)
  • Red Field (Seara Vermelha, 1946)
  • The Bowels of Liberty trilogy (Os Subterrâneos da Liberdade, 1954)
  • Gabriela, Clove and Cinnamon (Gabriela, Cravo e Canela, 1958)
  • The Two Deaths of Quincas Wateryell (A Morte e a Morte de Quincas Berro Dágua, 1959)
  • Home Is the Sailor (Os Velhos Marinheiros ou o Capitão de Longo Curso, 1961)
  • Ogum's Compadre (O compadre de Ogum, 1964)
  • Shepherds of the Night (Os Pastores da Noite, 1964)
  • Dona Flor and Her Two Husbands (Dona Flor e Seus Dois Maridos, 1966)
  • Tent of Miracles (Tenda dos Milagres, 1969)
  • Tereza Batista: Home from the Wars (Teresa Batista Cansada da Guerra, 1972)
  • Tieta (Tieta do Agreste, 1977)
  • Pen, Sword, Camisole (Farda Fardão Camisola de Dormir, 1979)
  • Showdown (Tocaia Grande, 1984)
  • The War of the Saints (O Sumiço da Santa, 1988)
  • Coasting (Navegação de Cabotagem, 1992)
  • The Discovery of America by the Turks (A Descoberta da América pelos Turcos, 1994)

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Famous quotes containing the word works:

    “‘Tis too plain that with the material power the moral progress has not kept pace. It appears that we have not made a judicious investment. Works and days were offered us, and we took works.”
    —Ralph Waldo Emerson (1803–1882)

    “To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
    —G.C. (Georg Christoph)

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)