Jorge Amado - Works

Works

  • The Country of Carnival (O País do Carnaval, 1931)
  • Cacau (1933)
  • Sweat (Suor, 1934)
  • Jubiabá (1935)
  • Sea of Death (Mar Morto, 1936)
  • Captains of the Sands (Capitães da Areia, 1937)
  • The Knight of Hope (Vida de Luis Carlos Prestes or O Cavaleiro da Esperança, 1942)
  • The Violent Land (Terras do Sem Fim, 1943)
  • The Golden Harvest (São Jorge dos Ilhéus, 1944)
  • Red Field (Seara Vermelha, 1946)
  • The Bowels of Liberty trilogy (Os Subterrâneos da Liberdade, 1954)
  • Gabriela, Clove and Cinnamon (Gabriela, Cravo e Canela, 1958)
  • The Two Deaths of Quincas Wateryell (A Morte e a Morte de Quincas Berro Dágua, 1959)
  • Home Is the Sailor (Os Velhos Marinheiros ou o Capitão de Longo Curso, 1961)
  • Ogum's Compadre (O compadre de Ogum, 1964)
  • Shepherds of the Night (Os Pastores da Noite, 1964)
  • Dona Flor and Her Two Husbands (Dona Flor e Seus Dois Maridos, 1966)
  • Tent of Miracles (Tenda dos Milagres, 1969)
  • Tereza Batista: Home from the Wars (Teresa Batista Cansada da Guerra, 1972)
  • Tieta (Tieta do Agreste, 1977)
  • Pen, Sword, Camisole (Farda Fardão Camisola de Dormir, 1979)
  • Showdown (Tocaia Grande, 1984)
  • The War of the Saints (O Sumiço da Santa, 1988)
  • Coasting (Navegação de Cabotagem, 1992)
  • The Discovery of America by the Turks (A Descoberta da América pelos Turcos, 1994)

Read more about this topic:  Jorge Amado

Famous quotes containing the word works:

    “We have not all had the good fortune to be ladies. We have not all been generals, or poets, or statesmen; but when the toast works down to the babies, we stand on common ground.”
    —Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    “When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
    —Ralph Waldo Emerson (1803–1882)

    “The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
    —Martina Navratilova (b. 1956)