Novels
| Name | Published | ISBN | Notes |
|---|---|---|---|
| neoAddix | 1997 | ISBN 0-340-67472-5 | |
| Lucifer's Dragon | 1998 | ISBN 0-7434-7827-4 | |
| reMix | 1999 | ISBN 0-671-02222-9 | |
| redRobe | 2000 | ISBN 0-671-02260-1 | British Science Fiction Award nominee, 2000 |
| Pashazade | 2001 | ISBN 0-7434-6833-3 | First in the Arabesk trilogy British Science Fiction Award nominee, 2001; John W. Campbell Memorial Award nominee, 2002; Arthur C. Clarke Award nominee, 2002 |
| Effendi | 2002 | ISBN 0-671-77369-0 | Second in the Arabesk trilogy British Science Fiction Award nominee, 2002 |
| Felaheen | 2003 | ISBN 0-671-77370-4 | Third in the Arabesk trilogy British Science Fiction Award winner, 2003; British Fantasy Award nominee, 2004 |
| Stamping Butterflies | 2004 | ISBN 0-575-07613-5 | British Science Fiction Award nominee, 2004 |
| 9tail Fox | 2005 | ISBN 0-575-07615-1 | British Science Fiction Award nominee, 2005 |
| End of the World Blues | 2006 | ISBN 0-575-07616-X | British Science Fiction Award winner, 2006; Arthur C. Clarke nominee, 2007 |
| The Fallen Blade | 2011 | ISBN 0-316-07439-X | |
| The Outcast Blade | 2012 | ISBN-10 1841498475 | |
| The Last Banquet | 2013 | As Jonathan Grimwood |
Read more about this topic: Jon Courtenay Grimwood
Famous quotes containing the word novels:
“But then in novels the most indifferent hero comes out right at last. Some god comes out of a theatrical cloud and leaves the poor devil ten thousand-a-year and a title.”
—Anthony Trollope (1815–1882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
—Vladimir Nabokov (1899–1977)