Music Style and Impact
His skilful integration of textual rhythm of the lyrics together with rich tonal arrangement, redefined songwriting in Malayalam cinema, since the late 1980s. In his film scores, Johnson combines native South Indian melodic patterns with the harmonic structure of classical music and this has attained an expressive form of narration through film score. He composed for about 300 films. Though he has obtained no formal training in classical music, he was able to incorporate the beauty of Carnatic ragas in his songs. Most of his songs were composed on Kalyani raga.
Johnson's favourite male singer was K. J. Yesudas, who has recorded many songs for him, while S. Janaki and K. S. Chithra were his favourite female singers. Chithra had some of her most noted songs with Johnson.
Johnson is fondly called Johnson Master (Johnson Mashu) by Malayalee audiences. Even his contemporaries and competitors refer him with the tag 'Master' ('mash' in malayalam). |title=Johnson brings an evening of melody to Dubai |date=22 April 2010 |publisher=Khaleej Times |accessdate=2011-02-23}}
Read more about this topic: Johnson (composer)
Famous quotes containing the words music, style and/or impact:
“If I could believe the Quakers banned music because church music is so damn bad, I should view them with approval.”
—Ezra Pound (1885–1972)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)