Johnson (composer) - Music Style and Impact

Music Style and Impact

His skilful integration of textual rhythm of the lyrics together with rich tonal arrangement, redefined songwriting in Malayalam cinema, since the late 1980s. In his film scores, Johnson combines native South Indian melodic patterns with the harmonic structure of classical music and this has attained an expressive form of narration through film score. He composed for about 300 films. Though he has obtained no formal training in classical music, he was able to incorporate the beauty of Carnatic ragas in his songs. Most of his songs were composed on Kalyani raga.

Johnson's favourite male singer was K. J. Yesudas, who has recorded many songs for him, while S. Janaki and K. S. Chithra were his favourite female singers. Chithra had some of her most noted songs with Johnson.

Johnson is fondly called Johnson Master (Johnson Mashu) by Malayalee audiences. Even his contemporaries and competitors refer him with the tag 'Master' ('mash' in malayalam). |title=Johnson brings an evening of melody to Dubai |date=22 April 2010 |publisher=Khaleej Times |accessdate=2011-02-23}}

Read more about this topic:  Johnson (composer)

Famous quotes containing the words music, style and/or impact:

    Slow, slow, fresh fount, keep time with my salt tears;
    Yet slower yet, oh faintly gentle springs:
    List to the heavy part the music bears,
    “Woe weeps out her division when she sings.”
    Droop herbs and flowers;
    Fall grief in showers;
    “Our beauties are not ours”:
    Oh, I could still,
    Like melting snow upon some craggy hill,
    Drop, drop, drop, drop,
    Since nature’s pride is, now, a withered daffodil.
    Ben Jonson (1572–1637)

    I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.
    Thomas Jefferson (1743–1826)

    Conquest is the missionary of valour, and the hard impact of military virtues beats meanness out of the world.
    Walter Bagehot (1826–1877)