Johnny Chase, Secret Agent of Space was a space opera radio serial that was broadcast for two seasons on CBC Radio between 1978 to 1981. The show was set 700 years in the future, and was created by Royal Canadian Air Farce comedian Don Ferguson along with Henry Sobodka. The show ran a fine line between being a serious space opera and being an over-the-top spoof of them.
The main character is a secret agent (voiced by Neil Dainard), who works for Earth Empire, and traverses through space in the Aleph-9, a spaceship accompanied by his talking computer, the insufferably brilliant (and equally arrogant) Dante (voiced by Chris Wiggins). Together they battle a range of enemies of the empire, including pirates, vampires, and the Thorks, an alien race bent on the destruction of Earth Empire. Other regular cast members included Mrs. Mulligan Jones, an "ancient psychic and Head of Empire Security" (voiced by Mary Piri), and Percy (voiced by Louis Negin), who was Johnny's direct boss at Empire Security.
The first season, broadcast during 1978-1979, consisted of individual episodes detailing the life of the principal character and setting the stage for the workings of Earth Empire and its enemies.
In the second season, the sun was destroyed by the Thorks, and Johnny ends up leading a rag-tag fleet of ships to a new home, very much like Battlestar Galactica.
The show's distinctive theme music was by the Canadian progressive-rock band FM.
Famous quotes containing the words secret, agent and/or space:
“Man is exceedingly well defended against himself, against being scouted out and besieged by himself, and he is usually able to make out no more of himself than his outer fortifications. The actual fortress is inaccessible to him, even invisible, unless his friends and enemies turn traitor to him and lead him there by secret paths.”
—Friedrich Nietzsche (1844–1900)
“Caution is the confidential agent of selfishness.”
—Woodrow Wilson (1856–1924)
“Play is a major avenue for learning to manage anxiety. It gives the child a safe space where she can experiment at will, suspending the rules and constraints of physical and social reality. In play, the child becomes master rather than subject.... Play allows the child to transcend passivity and to become the active doer of what happens around her.”
—Alicia F. Lieberman (20th century)