Works
He made the acquaintance of the leading antiquarians of his time, including William Camden, and in 1561 he published his first work, The woorkes of Geffrey Chaucer, newly printed with divers additions whiche were never in printe before. This was followed in 1565 by his Summarie of Englyshe Chronicles, which was frequently reprinted, with slight variations, during his lifetime. Of the first edition a copy was said to have been at one time in the Grenville library. In the British Museum there are copies of the editions of 1567, 1573, 1590, 1598 and 1604. Stow having in his dedication to the edition of 1567 referred to the rival publication of Richard Grafton (ca. 1500-ca. 1572) in terms, the dispute between them became extremely embittered.
Stow's antiquarian tastes brought him under ecclesiastical suspicion as a person "with many dangerous and superstitious books in his possession," and in 1568 his house was searched. An inventory was taken of certain books he possessed "in defence of papistry," but he was apparently able to satisfy his interrogators of the soundness of his Protestantism. A second attempt to incriminate him in 1570 was also without result. In 1580, Stow published his Annales, or a Generale Chronicle of England from Brute until the present yeare of Christ 1580; it was reprinted in 1592, 1601 and 1605, the last being continued to 26 March 1605, or within ten days of his death; editions "amended" by Edmund Howes appeared in 1615 and 1631.
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Famous quotes containing the word works:
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)