Critic
He reviewed for the Westminster Gazatte and then the Times Literary Supplement, from 1912. Initially he was much influenced by the philosophy of Henri Bergson, which he disavowed in 1913.
He was one of an identified group of post-World War I critics that included Richard Aldington, Robert Graves, Aldous Huxley, Herbert Read, and Edgell Rickword. Murry gave Huxley an editorial job at The Athenaeum.
Murry led the charge against Georgian poetry. A leader in the 16 May 1919 edition of The Athenaeum was an early example of a reasoned attack against the Georgian style of verse; and Murry coupled this with an adversarial attitude to the London Mercury edited by J. C. Squire. He reviewed quite harshly Siegfried Sassoon's Counter-Attack in 1918, despite having helped him in 1917 to draft an anti-war piece for H. W. Massingham's The Nation. In-house, however, he was not master enough to award an essay competition prize to the then-unknown Herbert Read, over the wishes of George Saintsbury and Robert Bridges, who preferred the poet William Orton.
F. R. Leavis admired and was influenced by Murry's early criticism. Later he was to attack Murry viciously, in the pages of Scrutiny.
Read more about this topic: John Middleton Murry
Famous quotes containing the word critic:
“After all, poets shouldn’t be their own interpreters and shouldn’t carefully dissect their poems into everyday prose; that would mean the end of being poets. Poets send their creations into the world, it is up to the reader, the aesthetician, and the critic to determine what they wanted to say with their creations.”
—Johann Wolfgang Von Goethe (1749–1832)
“The nineteenth century is a turning point in history, simply on account of the work of two men, Darwin and Renan, the one the critic of the Book of Nature, the other the critic of the books of God. Not to recognise this is to miss the meaning of one of the most important eras in the progress of the world.”
—Oscar Wilde (1854–1900)
“Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.”
—D.H. (David Herbert)