Works
- Plays and Production dates
- Histriomastix, London, Paul's Theatre, 1599 (attrib.).
- Antonio and Mellida, London, Paul's theater, 1599-1600.
- Jack Drum's Entertainment, London, Paul's theater, 1599/1600.
- Antonio's Revenge, London, Paul's theater, 1600.
- What You Will, London, Paul's theater, 1601.
- The Malcontent, London, Blackfriars Theatre, 1603–1604; Globe Theatre, 1604.
- Parasitaster, or The Fawn, London, Blackfriars theater, 1604.
- Eastward Ho, by Marston, George Chapman, and Ben Jonson, London, Blackfriars theater, 1604-1605.
- The Dutch Courtesan, London, Blackfriars theater, 1605.
- The Wonder of Women, or The Tragedy of Sophonisba, London, Blackfriars theater, 1606.
- The Spectacle Presented to the Sacred Majesties of Great Britain, and Denmark as They Passed through London, London, 31 July 1606.
- The Entertainment of the Dowager-Countess of Darby, Ashby-de-la-Zouch in Leicestershire, 1607.
- The Insatiate Countess, by Marston and William Barksted, London, Whitefriars Theatre, 1608?.
- Books
- The Metamorphosis of Pigmalions Image. And Certaine Satyres (London: Printed by J. Roberts for E. Matts, 1598).
- The Scourge of Villanie. Three Bookes of Satyres (London: Printed by J. Roberts & sold by J. Buzbie, 1598; revised and enlarged edition, London: J. Roberts, 1599).
- Jacke Drums Entertainment: Or, The Comedie of Pasquill and Katherine (London: Printed by T. Creede for R. Olive, 1601).
- Loves Martyr: or, Rosalins Complaint, by Marston, Ben Jonson, William Shakespeare, and George Chapman (London: Printed for E. B., 1601).
- The History of Antonio and Mellida (London: Printed by R. Bradock for M. Lownes & T. Fisher, 1602).
- Antonios Revenge (London: Printed by R. Bradock for T. Fisher, 1602).
- The Malcontent (London: Printed by V. Simmes for W. Aspley, 1604).
- Eastward Hoe, by Marston, Chapman, and Jonson (London: Printed by G. Eld for W. Aspley, 1605).
- The Dutch Courtezan (London: Printed by T. Purfoote for J. Hodgets, 1605).
- Parasitaster, or The Fawne (London: Printed by T. Purfoote for W. Cotton, 1606).
- The Wonder of Women, or The Tragedie of Sophonisba (London: Printed by J. Windet, 1606).
- What You Will (London: Printed by G. Eld for T. Thorppe, 1607).
- Histrio-mastix: Or, The Player Whipt (London: Printed by G. Eld for T. Thorp, 1610).
- The Insatiate Countesse, by Marston and William Barksted (London: Printed by T. Snodham for T. Archer, 1613).
- The Workes of Mr. J. Marston (London: Printed by A. Mathewes for W. Sheares, 1633); republished as Tragedies and Comedies (London: Printed by A. Mathewes for W. Sheares, 1633).
- Comedies, Tragi-comedies; & Tragedies, Nonce Collection (London, 1652).
- Lust's Dominion, or The Lascivious Queen (presumably the same play as The Spanish Moor's Tragedy), by Marston, Thomas Dekker, John Day, and William Haughton (London: Printed for F. K. & sold by Robert Pollard, 1657).
Read more about this topic: John Marston (poet)
Famous quotes containing the word works:
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms, 107:23-4.
“We all agree nowby we I mean intelligent people under sixtythat a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (18811962)
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (18761959)