Metropolitan Opera
It was the Metropolitan Opera that would become the bass' artistic home, starting with Tom in Un ballo in maschera, in 1962. From then, until 1997, Macurdy would sing more than 1000 performances, in a great variety of roles, including the King (later Ramfis) in Aïda, Alessio (later Count Rodolfo) in La sonnambula (opposite Dame Joan Sutherland), Don Basilio in Il barbiere di Siviglia, the Commendatore in Don Giovanni (perhaps his most acclaimed role), Ferrando in Il trovatore, Prince Gremin in Eugene Onegin, Colline, Count des Grieux in Manon, Daland in Der fliegende Holländer, Sparafucile, Agrippa in Antony and Cleopatra (world premiere), King Heinrich in Lohengrin, Sarastro, Ezra Mannon in Mourning Becomes Electra (world premiere), Alvise Badoero in La Gioconda, Hunding in Die Walküre (with Jon Vickers), Count Walter in Luisa Miller (with Montserrat Caballé), Timur, Raimondo (to Renata Scotto's Lucia), the Grand Inquisitor in Don Carlos (with Franco Corelli), Titurel (later Gurnemanz) in Parsifal, King Marke in Tristan und Isolde, Rocco in Fidelio (with Anja Silja in her Met debut), Méphistophélès in Faust, Pimenn in Boris Godunov, Oroveso in Norma, and Tirésias in Œdipus rex (in John Dexter's production). In the year 2000, he returned to the Met, for Hagen in Götterdämmerung, under James Levine.
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