John Leonard (critic) - Selected Works

Selected Works

Books
  • The Naked Martini (1964)
  • Wyke Regis (1966)
  • Crybaby of the Western World (1969)
  • Black Conceit (1973)
  • This Pen for Hire (1973)
  • Private Lives in the Imperial City (1979)
  • The Last Innocent White Man in America (1994)
  • Smoke and Mirrors: Violence, Television, and Other American Cultures (1997)
  • When the Kissing Had to Stop: Cult Studs, Khmer Newts, Langley Spooks, Techno-Geeks, Video Drones, Author Gods, Serial Killers, Vampire Media, Alien Sperm Suckers, Satanic Therapists and Those of Us Who Hold a Left-Wing Grudge in the Post-Toasties New World Hip-Hop (1999)
  • Lonesome Rangers: Homeless Minds, Promised Lands, Fugitive Cultures (2002)
  • Reading for My Life (2012)
Essays and introductions by Leonard feature in
  • "Why I'll Never Finish My Mystery", Murder, Ink (1977)
  • Friends and Friends of Friends, by Bernard Pierre Wolff (1978)
  • "Dodgerisimus", The Ultimate Baseball Book, by Daniel Okrent and Harris Lewine (1979)
  • Man’s Fate by Andre Malraux (1984)
  • SoHo: A Picture Portrait (1985)
  • "Ten (or Twenty) of the Best Books of the Millennium", The Millennium Book by Gail Collins and Dan Collins (1991)
  • A Really Big Show: A Visual History of The Ed Sullivan Show (1992)
  • "Educating Television", Imagining Education: The Media and Schools in America, by Gene I. Maeroff (1988)
  • "Follow the Bouncing Ball: How the Caged Bird Learns to Sing", The Business of Journalism, by William Serrin (2000)
  • These United States (introduction and editor, 2003)
  • The New York Times Guide to Essential Knowledge: A Desk Reference for the Curious Mind (2004)
  • We Tell Ourselves Stories in Order to Live: The Collected Nonfiction of Joan Didion (2006)

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Famous quotes containing the words selected and/or works:

    “The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
    —Walter Bagehot (1826–1877)

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
    —Rebecca West (1892–1983)