Life
When John Lilburne was his apprentice in the 1630s, he introduced Lilburne to the Puritan physician John Bastwick, an active pamphleteer who was persecuted by Archbishop William Laud.
He was second in command of John Pickering's Regiment of Foot, one of the original twelve foot regiments of the New Model Army. When John Pickering died on 24 November 1645 he took command of the regiment; and, as was then the custom then, the Regiment became known as John Hewson Regiment of Foot.
In 1647 Parliament passed an act against religious festivals, regarding them as "vain and superstitious observances" when the Mayor of Canterbury tried to enforce this act and stop Christmas there was a riot and John Hewson Regiment of Foot were sent to restore order which they did quickly. In 1648 Hewson played a key role in Pride's Purge and the Army's occupation of London.
In January 1649 he signed the death warrant for Charles I marking him as a regicide. Later that year his regiment refused to fight in Ireland until the Leveller reform programme was implemented; as a result 300 men were cashiered out of the army without arrears of pay. While in Ireland he was involved in the Siege of Drogheda and commanded an English force during the siege and battle of Tecroghan. He lost an eye at the siege of Kilkenny and was made Governor of Dublin.
He represented Ireland in the Nominated Assembly (or Barebones Parliament) of 1653 and Dublin in the First Protectorate Parliament of 1654. He the returned to England to represent Guildford in the Second Protectorate Parliament before being summoned in 1658 to the Other House (an Upper House equivalent to the House of Lords) as Lord Hewson.
On the restoration of the monarchy he fled to Amsterdam where he died in 1662.
Read more about this topic: John Hewson (regicide)
Famous quotes containing the word life:
“Shielded, what sorts of life are stirring yet:
Legs lagged like drains, slippers soft as fungus,
The gas and grate, the old cold sour grey bed.”
—Philip Larkin (1922–1986)
“That life protracted is protracted woe.”
—Samuel Johnson (1709–1784)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)