The Stephen L. Brown Building (197 Clarendon St.)
The oldest of the John Hancock buildings was designed by Parker, Thomas & Rice, best known as architects of the United Shoe Machinery building. It was completed in 1922. It is located at 197 Clarendon St. across from the Hancock tower. It was known as the "John Hancock Life Insurance Company Building." The building was never considered particularly notable; for example, it is not mentioned in the 1937 WPA state guide to Massachusetts. In recent years it was known as "The Clarendon Building." Circa 2001 it was renamed "The Stephen L. Brown Building" in honor of Stephen L. Brown, chairman of John Hancock Financial Services, Inc. According to Lyndon Donlyn, "if you stand on the corner of Clarendon Street and St. James Avenue and look directly into the mirrored surface of the third Hancock, you will see reflected there the first two, aligned hierarchically in an ethereal family portrait."
Originally, the Planned Development Area (PDA) agreement for the building of the 60-story John Hancock Tower called for 197 Clarendon to be demolished to make way for open space or a public square. In 1982, the Boston Redevelopment Authority, responding to a request from the John Hancock company, decided that it would be better to keep the building on the tax rolls. It was also thought that open space near the base of the tower might not be desirable, due to the tower's "wind tunnel" effect.
Read more about this topic: John Hancock Building
Famous quotes containing the words stephen, brown and/or building:
“Well, at least I have the satisfaction of having destroyed a terrible monster, and in doing so rid the world of an awful curse.”
—Griffin Jay, and Harold Young. Stephen Banning (Dick Foran)
“The river’s tent is broken; the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
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—T.S. (Thomas Stearns)
“Notice how he has numbered the blue veins
in my breast. Moreover there are ten freckles.
Now he goes left. Now he goes right.
He is building a city, a city of flesh.
He’s an industrialist.”
—Anne Sexton (1928–1974)