John Gould Fletcher - Poetry

Poetry

Fletcher's early works include Irradiations: Sand and Spray (1915), and Goblins and Pagodas (1916). Amy Lowell said of him, 'no one is more absolute master of the rhythm of verse libre. Fletcher invented the term 'polyphonic prose' to describe some poetic experiments of Amy Lowell, a form he himself, also experimented with in his Goblins & Pagodas. In later poetic works Fletcher returned to more traditional forms. These include The Black Rock (1928), Selected Poems (1938), for which he won the Pulitzer Prize for Poetry in 1939, and The Burning Mountain (1946). Fletcher later returned to his home in Arkansas and reconnected with his roots. The subject of his works turned increasingly towards Southern issues and Traditionalism.

In the late 1920s and 1930s Fletcher's was active with a group of 11 other Southern writers and poets known as the Southern Agrarians. This group published the classic Agrarian manifesto I'll Take My Stand, a collection of essays rejecting Modernity and Industrialism. In 1937 he wrote his autobiography, Life is My Song, and in 1947 he published Arkansas, a beautifully written history of his home state.

Read more about this topic:  John Gould Fletcher

Famous quotes containing the word poetry:

    Poetry’s unnat’ral; no man ever talked poetry ‘cept a beadle on boxin’ day, or Warren’s blackin’ or Rowland’s oil, or some o’ them low fellows; never you let yourself down to talk poetry, my boy.”
    Charles Dickens (1812–1870)

    The man Shelley, in very truth, is not entirely sane, and Shelley’s poetry is not entirely sane either. The Shelley of actual life is a vision of beauty and radiance, indeed, but availing nothing, effecting nothing. And in poetry, no less than in life, he is “a beautiful and ineffectual angel, beating in the void his luminous wings in vain.”
    Matthew Arnold (1822–1888)

    Much poetry seems to be aware of its situation in time and of its relation to the metronome, the clock, and the calendar. ... The season or month is there to be felt; the day is there to be seized. Poems beginning “When” are much more numerous than those beginning “Where” of “If.” As the meter is running, the recurrent message tapped out by the passing of measured time is mortality.
    William Harmon (b. 1938)