The John F. Kennedy Center for the Performing Arts (on the building itself called the John F. Kennedy Memorial Center for the Performing Arts, and commonly referred to as the Kennedy Center) is a performing arts center located on the Potomac River, adjacent to the Watergate complex in Washington, D.C. The Center, which opened on September 8, 1971, produces and presents theater, dance, ballet, orchestral, chamber, jazz, popular, and folk music, in addition to multi-media performances for all ages.
It is the busiest performing arts facility in the United States and annually hosts approximately 2,000 performances for audiences totaling nearly two million; Center-related touring productions, television, and radio broadcasts welcome 20 million more. Now in its 40th season, the Center presents the greatest examples of music, dance and theater; supports artists in the creation of new work; and serves the nation as a leader in arts education. With its artistic affiliate, the National Symphony Orchestra, the Center's achievements as a commissioner, producer, and nurturer of developing artists have resulted in over 200 theatrical productions, dozens of new ballets, operas, and musical works.
It represents a public-private partnership, since it is both the nation's living memorial to President John F. Kennedy and the "national center for the performing arts", which includes educational and outreach initiatives, almost entirely paid for through ticket sales and gifts from individuals, corporations, and private foundations.
Designed by architect Edward Durell Stone, it was built by Philadelphia contractor John McShain and is administered by a bureau of the Smithsonian Institution. It receives federal funding each year to pay for the maintenance and operation of the building.
Read more about John F. Kennedy Center For The Performing Arts: History, Architecture, Venues, VSA, Renovations, Management
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“Orpheus with his Lute made Trees,
And the Mountaine tops that freeze,
Bow themselves when he did sing.
To his Musicke, Plants and Flowers
Ever spring; as Sunne and Showres,
There had been a lasting Spring.
Every thing that heard him play,
Even the Billowes of the Sea,
Hung their heads, and then lay by.
In sweet Musicke is such Art,
Killing care, and griefe of heart,
Fall asleepe, or hearing dye.”
—John Fletcher (1579–1625)
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“We like the idea of childhood but are not always crazy about the kids we know. We like it, that is, when we are imagining our own childhoods. So part of our apparent appreciation of youth is simply envy.”
—C. John Sommerville (20th century)
“Where there is no vision, the people perish.”
—Bible: Hebrew Proverbs, 29:18.
President John F. Kennedy quoted this passage on the eve of his assassination in Dallas, Texas; recorded in Theodore C. Sorenson’s biography, Kennedy, Epilogue (1965)
“I am the center of the world, but the control panel seems to be somewhere else.”
—Mason Cooley (b. 1927)
“Bottom. What is Pyramus? A lover or a tyrant?
Quince. A lover that kills himself, most gallant, for love.
Bottom. That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes.”
—William Shakespeare (1564–1616)
“I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.”
—Anna Quindlen (b. 1952)